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Content Warning: This section of the guide includes discussion of sexual content and substance use.
Dennis Ziegler, 21, sits in his mostly empty, semi-dilapidated Upper West Side apartment in 1982. Dennis lacks direction in his life. He has a competitive nature and a bullying but ultimately well-meaning demeanor. He watches an old movie on TV and thinks about little. Although the charm and social position of his high school days have finally begun to dim, Dennis is hardly aware of this.
Dennis’s friend Warren buzzes, and Dennis waits for him to buzz again before letting him upstairs. Dennis unlocks the door and lets Warren open it and immediately notices that Warren has a backpack and suitcase with him. Warren is 19 and known for getting himself into trouble; he has thoughts of becoming something, but no sense of how to start.
Dennis immediately starts questioning why Warren is there and suspects that Warren wants pot, but Warren admits that he brought some of his own. Dennis demands to have it despite Warren declining and proceeds to roll and smoke it. Dennis wonders why Warren has a suitcase, and Warren admits his father forced him out of the house for always smoking pot. Dennis wants to know where Warren plans to stay. Warren admits he doesn’t know but lies and says his father gave him some money. He pays Dennis $200 that he owes him and shows him his bag full of cash. Within the bag is $15,000, which Warren admits he stole out of a briefcase in his father’s room.
As they pass the joint back and forth, Dennis lectures Warren about his decision to steal so much money and warns that someone might come looking for him. Warren hopes that his dad won’t look inside the briefcase for a couple of days, and that he’ll assume that someone else took the money. Dennis notes that he’s bound to know who took the money.
Dennis doesn’t want Warren’s father coming to his place. He knows that Warren can be irritating and abrasive, which is likely why his father kicked him out. He asks Warren what is going to become of him. Warren replies that he doesn’t care, and Dennis knows that Warren is on a dangerous path. Warren almost starts to cry, which only irritates Dennis more, and Dennis suggests that Warren put the money back and explain his mistake. Warren feels like he’s already doomed and doesn’t care what happens next. He asks Dennis if he can stay with him for two days while he figures things out. Dennis declines at first but eventually agrees.
Dennis just wants to watch TV, while Warren wants to go out and play football or call some girls to come over. He likes a girl named Jessica, but Dennis thinks Warren has no chance with her. He suggests calling some sex workers instead and Warren almost agrees, but Dennis’s suggestion isn’t serious. Warren starts throwing a football at Dennis but misses and hits a statue that Dennis’s girlfriend made of two women kissing. Dennis wonders why Warren acts this way. He throws the ball back at him harder, which only breaks the statue even more. Dennis and Warren wrestle for a moment, and then the mood settles.
Lonergan’s play takes place in the Upper West Side of Manhattan in 1982, two years after President Reagan was elected. The atmosphere of the decade was defined by the post-Vietnam war era, which saw a dissolving of many of the civil rights and anti-war movements of the 1960s and 1970s. All of this gave way to an era in which The Pointless Pursuit of Materialism took hold, and Reagan’s economic plan rewarded corporate gain over more socialist purposes.
The result was that the decade was filled with decadence and lavishness, as well as cocaine and heroin usage. Young people like Lonergan (and the characters he created) found themselves lost in a permanently changed world, in which their childhoods—colored by the freedom and tolerance of the 1970s—had been replaced by the pursuit of luxury and superficial ends.
Both Dennis and Warren resist superficiality in their own ways. Dennis lives in an average and unkempt apartment that contains only the bare minimum of furniture and entertainment. The setting suggests that he is not tied down to anything or anyone, and that he does not plan to be in any one place for too long. Warren holds onto his collection, but not because of a superficial desire to become wealthy. Instead, Warren is still dealing with the challenge of Letting Go of the Past and doesn’t want to lose himself. Both Dennis and Warren live in an affluent neighborhood and come from wealthy families who expect their children to become equally financially successful. Dennis’s apartment intentionally contrasts with the neighborhood itself and the realities of his era that bear down on his existence, whether he resists or not. The entire play takes place in Dennis’s apartment, reflecting the simplistic nature of the world in which Dennis operates.
Dennis is holding on to the status that characterized him in high school. For example, when the buzzer rings, he is “too cool to answer it right away” (5). Lonergan describes Dennis as a “dark cult god of high school only recently encountering, without necessarily recognizing, the first evidence that the dazzling, aggressive hipster techniques with which he has always dominated his peers might not stand him in good stead for much longer” (5). His social currency is running out with each passing year. Dennis is quick-witted and well-meaning, but comes off arrogant, abrasive, and at times bullies people he cares about. Because he is highly competitive, he is always putting Warren down or propping himself up. Dennis also makes assumptions about Warren’s intentions that show how Dennis lacks trust in others, even his closest friend. He assumes that Warren is at his apartment to get drugs, but instead Warren pays Dennis and asks if he can stay with him. At the same time Dennis can be insightful, such as when he correctly assumes that Warren stole the money he has in his possession. While Dennis lectures and berates Warren, he also risks letting him stay. This shows that Dennis does have a caring side somewhere deep within himself.
Warren is similar to Dennis in some ways, but in more ways is his direct opposite, or foil. While Warren and Dennis both fall to the temptation of sex, drugs, and money, Warren is much more reckless and far less calculated than Dennis. He is self-destructive but also “above all things a trier” (6), while Dennis allows himself to succumb to lethargy. Warren and Dennis both feel lost in their lives, but for totally different reasons, and both also feel separate from their family of origin. Warren sometimes feels like his sister is better off being dead, and each day he risks succumbing to the same indifference and powerlessness that Dennis clearly feels. Dennis is domineering and tells Warren what to do, and Warren for the most part allows him to get away with this.
Warren is also somewhat unrealistic in his beliefs, as he thinks his father won’t realize he was the one who stole the money. Despite the fact that Warren and Dennis are regularly in conflict with each other, they remain close friends and rely on one another emotionally, socially, and financially. This reliance is in some ways unhealthy, because it prevents them both from maturing as people.
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