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The tenement building is a metaphor for the society that traps the poor people in a vicious cycle of poverty. The building is owned and operated by an exploitative landlord, who bullies tenants and refuses to carry out the repair work on the building. The collapsing nature of the building is a metaphor for the dilapidated nature of the society. The building is not designed to provide a home for people in the same way that the society is not designed to benefit everyone. Instead, both the building and the society are designed to benefit the wealthy elite. The rich landlord exploits the tenants for rent money, providing no real worth in the form of habitable housing, while the society functions in much the same way. The poor are exploited to the benefit of the wealthy elite, and the building symbolizes how this exploitation happens at every level of society.
In the summer, the building is too hot. In the winter, the building is too cold. People sleep on the roof or on the sidewalk during the summer, while they sit and shiver in their apartments during the winter while the heating pipes break down and remain unrepaired. Even during the spring and fall, the bedbugs and the collapsing building ensure that no one is able to get any comfort. The physical discomfort of the tenants is a metaphor for the physical suffering of poverty. There is no way to be comfortable in the building at any time of the year, just as there is no way to truly be comfortable when every minute of every day is spent worrying about a lack of money. The tenants have no safe place in which to rest, just as the more privileged members of society ensure that their lives remain safe and uncomfortable at all times.
The crowded building symbolizes the way in which class solidarity develops among the poor people on the Lower East Side. Not only are they close in terms of their economic status, but also the small, cramped apartments mean that they are close in a physical sense. People can overhear conversations through the walls, they can shout at one another from the windows, and everyone is aware of everyone else’s business. The tenants are forced together, and this closeness breeds a familiarity that binds them together. The same machine that exploits the poor tenants also helps them develop a unity that may prove to be the society’s undoing.
In Jews Without Money, animals are important symbols of humanity’s emotional capacity. Animals are mistreated, abused, and occasionally lavished with care and attention. However, the vast majority of animals are subject to the terrible living conditions on the Lower East Side. Mangy dogs pick through garbage cans, rats and mice nibble at food, and bugs infest the rundown tenement buildings. The animals are forced to endure the inescapable poverty, and their struggle to survive becomes a reflection of the same struggle they share with the humans. Everyone, from the cats in the alley to the people in the apartments, is simply trying to survive. The humans recognize the animals as fellow strugglers, even if they do not always treat them with kindness. The animals are a metaphor for the way in which human sympathy functions: The humans recognize the animals as similarly suffering, but they become just another part of the cycles of violence and poverty that continue to affect everyone’s lives. The varied ways in which animals are treated shows that they are part of the struggle to survive.
Mike focuses on the cats as the primary antagonists in this struggle for survival. Like the humans, the cats live and breed in the tenement buildings. They are found everywhere, both alive and dead. Cats teach their kittens how to survive in the tenement buildings, passing on their survival techniques to the next generation before dying in the gutter. They are tortured by some humans and occasionally taken in and cared for by others. They make terrible noises, they urinate everywhere, and their dead bodies litter the alleys in the winter. The cats seem to be caught in a constant war with the humans, competing for resources. They are a part of the struggle and a metaphor for the ways in which the entire world becomes embroiled in a bitter fight for survival alongside the humans.
Horses are slightly different. They are beasts of burden, providing economic worth to their owners. They drag carts and carry loads, allowing their owners to make money. However, even this usefulness does not prevent them from being abused: Horses are beaten and shot in the street when they are too injured to work. Like the humans, the horses are exploited in the name of making money. To that extent, they are metaphors for the most exploitative elements of the capitalist society.
New York City is a symbol of the potential of America but also of the way in which the society exploits and diminishes poor people. The newly arrived immigrants in the city marvel at the spectacular skyscrapers and the infrastructure, which is unlike anything in the European countries from which they have sailed. The sheer scale of the city is a symbol of the powerful economic potential that resides in the new world, supposedly a place where anyone can achieve greatness if they apply themselves. People like Herman arrive in the city and become invested in this symbolic meaning. Many quickly discover that the symbolic nature of New York is actually a sham. The glorious, spectacular buildings mask a system of ruthless exploitation that grinds up the immigrants in the name of making money. The reputation of New York has a symbolic value all of its own, showing the way in which the mythology of the city can hide a terrible truth.
The physical geography of New York exacerbates this symbolic meaning. The immigrants are divided into certain areas. Jewish immigrants live in one area, Italian immigrants live in another, and other ethnic groups elsewhere. This setup creates a sense of division and competition. The different groups are forced to compete for the benefit of the wealthiest Americans, who live far away in the suburbs. The particular layout of New York symbolizes the way in which the wealthy sow false divisions among the poor to benefit themselves. Mike Gold, a noted socialist, establishes this symbolic meaning of the city to show how the entire city is built in such a way as to exploit the poorest people.
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